What the merge does
It sorts the exposures by brightness and takes the middle one as the reference. It aligns the others to it on copies equalised so that frames stops apart look alike, and replaces anything that moved with the reference carried to that frame's exposure. Then it blends every pixel from the frames where that part of the scene is best exposed, sharpest and most colourful, through deep image pyramids so that broad tones join without bands. This is exposure fusion (Mertens, Kautz and Van Reeth, 2007): the result needs no tone mapping, and skies stay skies.
Shooting a bracket that merges
- Aperture priority, so the depth of field stays the same and only the shutter speed changes.
- Three frames at −2, 0 and +2 EV for a bright sky and a dark foreground; five at one-stop steps for gentler light.
- Continuous drive, so the frames follow each other within a second; handheld is fine.
- Focus and white balance fixed for the whole bracket.
Where your camera keeps auto exposure bracketing, and how many frames to take: the exposure-bracketing guide.
What it does not do (yet)
- No RAW merge into a floating-point HDR file: the output is a finished picture (JPG, PNG or 16-bit TIFF).
- Alignment is a shift and a slight rotation: a bracket shot while walking will not line up.
- One camera at one size: exposures of different sizes are refused by name.
Focus bracketing is the other bracket: the focus stacker merges frames focused at different distances, and the panorama stitcher joins frames turned side by side.